Malcolm Bessent is now at the Maimonides Dream Laboratory in Brooklyn. Try using your ESP to “send” this picture to Malcolm Bessent. You are about to participate in an ESP experiment. At that same time, the audience in attendance at the Grateful Dead concerts would be shown a series of six slides that were being projected onto a large screen above the stage.The first five slides shown to the audience read: 1. Each night in the sleep lab at Maimonides, Bessent would go to bed early so that he would be asleep by 11:30PM, when the experiment would begin. The doctor was very interested to see how psychedelics and an audience of 2,000 would affect “mind to mind transmissions.” The experiment was focused on dream telepathy, with the senders being the audience of Deadheads and the receiver being English psychic subject Malcolm Bessent, who had scored well in previous ESP experiments. He wanted to observe the band and the patrons as subjects. Stanley Krippner, a psychosomatic medicine doctor, introduced an ESP dream experiment to the band and fans. Dubbed Three from the Vault, a double-disc would later be released on June 26, 2007, more than 30 years after this historic show.ĭuring this run of shows, Dr. Songs that they recorded at the February 21 and Februshows were released as an album called, Vintage NRPS. The band also included John Dawson, David Nelson, Dave Torbert, and Spencer Dryden. The opening act for these shows was New Riders of the Purple Sage, and at that time, Jerry Garcia was a member of the band. This vintage Grateful Dead show demonstrates a high point for the band and features the first-ever performances of "Bird Song" and “Deal.” The intoxicating excitement of new musical adventures and exploration can be found inside this treasured show. It wasn’t until October of 1974 that Mickey Hart would return. This show marks the beginning of a 4-year stretch in which Bill Kreutzmann was the sole drummer for the Grateful Dead. To this day, it is revered by Deadheads across the world – a moment in time that is etched in Capitol Theatre history forever. When radio personality David Gans played the jam for Phil Lesh in 1997, it brought tears to his eyes. From the blissful confidence to the intriguing mysticism, this segment is a definitive moment in Grateful Dead history. It encompasses everything that the Grateful Dead was during 1971. Not only did it set the mood for the night, it set the mood for the year. The biggest highlight of the night is the “Beautiful Jam” that took place during Dark Star > Wharf Rat > Dark Star. The crowd was treated to debuts of “Bertha,” “Greatest Story Ever Told,” “Loser,” “Playing in The Band,” and “Wharf Rat.” These songs remain all-time fan favorites to this day. On this night, the Grateful Dead decided to debut five original songs. He passed away two years later, making these shows that much more special to revisit. He was a pioneer of improvisational rock n’ roll, encompassing emotions that could be felt by every Deadhead at every show. Let’s start this list off by saying that the soulful presence of Ron “Pigpen” McKernan and his passion for the blues was instrumental in making these shows unforgettable. Please join us as we celebrate the anniversary of these monumental shows! 1. The Dead pushed the improvisational boundaries of music and psychedelia in a way that changed live music forever. These historic shows capture the magic of the Grateful Dead in the early 1970s – purity, passion, musicianship, and fearlessness. Starting February 18, 1971, and ending February 24, 1971, the Grateful Dead played 6 legendary shows at The Cap. It was vital that the band had the right venues, with the right energy, to do this The Capitol Theatre was one of those venues. The stage had been set and the band began to experiment, taking the music even further than the formative years of the 60s. 1971 laid the groundwork for years like 77 and 78. The early 1970s were arguably the most iconic time period for the Grateful Dead.
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